It is 1630, and a devastating plague has descended upon the city of Milan. Guglielmo Piazza and Giacomo Mora are depicted as two city's artisans (really only Mora, a barber, was an artisan while Piazza was a sanity officer). One day a woman accuses Piazza of being an untore (i.e. a greaser): a spreader of disease by anointing walls and furnitures with a pestiferous ointment. According to a superstitious belief held by the people, these untori were in league with the Devil, and were responsible for the spread of the pestilence.Immediately the Church and the Inquisition scapegoat the two artisans for the outbreak, and subject them to trial by torture, despite the protests of Cardinal Borromeo.Innocent victims of a panic which has gripped the populace, Piazza and Mora are found guilty of the imaginary crime of smearing poisonous substances about in the city to induce plague. They are put to death upon the wheel. Afterwards, a pillar (The Infamous Column of the title) is erected in the square which beheld their execution, with a warning for the masses, to guard against eruptions of public hysteria ever again.

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拍摄地点可以依稀看出是重庆，原本有更多的地标性建筑，并且有部分台词使用重庆话，这部分被重新配音，弱化了影片故事的真实感郑刚的身份本是副市长兼警察局长，因此警局有内鬼，警察的行动总是会被黎志田提前做准备，这对应了郑刚多次把警方新掌握的线索打电话告知黎志田，对于改后副市长迅速拿到探案中的证据和细节其实是有些不合理的，也解释了苏见明拿到手机后为什么没有第一时间到警察局。以及高进这个角色的背景，他可以帮助郑刚通过审查，是经典台词“钱上有钱，官外还有官”的综合体现郑刚和杨

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在这部电影中，导演通过细腻的镜头和情感丰富的表演指导，使得观众能够更加深入地感受到南京大屠杀带来的痛苦和中国人民在困境中的坚韧。

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故事中的主人公们虽然有着颓废的生活，但他们内心的渴望和努力却无法掩盖。他们都有着改变生活的梦想，却因为种种原因而无法实现。电影通过这三个人的故事，向观众展示了人生的无常和命运的无常，引人深思。

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前任上映的时候我还是单身，自以为感情大师，其实只不过是个未尝爱情的菜鸟。今天看了前任，我还是单身，又有种千帆阅尽的感触，哈哈，自恋星人。翻看前任自己的影评，我对自己的认识还真是清晰，“明明有时候多耐心地回答一个问题就没事，偏偏要摒在那，惹人生气”，真是大预言家。其实我不是去看电影的，只是想去寻找自己的影子，缅怀过去，故作悲伤。有意思的是，前半段孟云的感情状态跟我很像，连相亲经历也略有共鸣，恋爱脑真的不配拥有爱情吗。回到电影本身，确实找到很多自己的影子，如果我